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SingersRoom critic Simon Robinson rated it Big Star's best song, praising the "catchy melody and jangly guitars that perfectly capture the carefree and optimistic spirit of youth" and the "simple yet poignant" lyrics that evoke the "experience of teenage romance and heartbreak." [7] The song was originally featured on the 1972 album #1 Record.
The song, written by Mike Watt, is about the relationship of singer D. Boon and Watt as they played music together. [1] The song is subtitled "Part II" as an earlier Minutemen composition titled "History Lesson" was included on their 1981 release, The Punch Line. [2] Watt claims he wrote the song to humanize themselves. [1]
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"Dashing Away with the Smoothing Iron", a traditional English folk song written in the 19th century about a housewife carrying out one part of her linen chores each day of the week "Monday's Child", a traditional English rhyme mentioning the days of the week; Solomon Grundy (character), DC Comics character named after the rhyme
The songs "As I Am" (Intro) and "Prelude to a Kiss" were written solely by Keys. [ 10 ] The Element of Freedom , Keys' fourth studio album, was released in December 2009; it was preceded by the lead single " Doesn't Mean Anything ", co-written with Kerry Brothers, Jr. [ 11 ] During this time, Keys collaborated with Jay-Z on " Empire State of ...
The Lesson" is the song written by Mack David and recorded by Vikki Carr in 1967 and was released as a single as the follow-up to Carr's hit song "It Must Be Him". Like the previous single, "The Lesson" reached the top of the Easy Listening chart, spending one week at number one in February 1968.
Written as a lullaby for his eldest son Jesse, born in 1966, Dylan's song relates a father's hopes that his child will remain strong and happy.It opens with the lines, 'May God bless and keep you always / May your wishes all come true', echoing the priestly blessing from the Book of Numbers, which has lines that begin: 'May the Lord bless you and guard you / May the Lord make His face shed ...
Cretu also arranged and produced the song. The lyrics were written by Richard Palmer-James. The allusion to the biblical figure Mary Magdalene was a Kemmler's idea [1] and came up when a name with seven syllables was needed for the chorus. But only the German version of the name would be fit, because in English "Mary Magdalene" has six syllables.