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Pandora's box is an artefact in Greek mythology connected with the myth of Pandora in Hesiod's c. 700 B.C. poem Works and Days. [1] Hesiod related that curiosity led her to open a container left in the care of her husband, thus releasing curses upon mankind.
Answers to NYT's The Mini Crossword for Tuesday, January 14, 2025. Don't go any further unless you want to know exactly what the correct words are in today's Mini Crossword.
Ancient Greek funerary vases are decorative grave markers made in ancient Greece that were designed to resemble liquid-holding vessels. These decorated vases were placed on grave sites as a mark of elite status. There are many types of funerary vases, such as amphorae, kraters, oinochoe, and kylix cups, among others.
Ancient Roman urn made of alabaster. An urn is a vase, often with a cover, with a typically narrowed neck above a rounded body and a footed pedestal.Describing a vessel as an "urn", as opposed to a vase or other terms, generally reflects its use rather than any particular shape or origin.
Most Greek vases were wheel-made, though as with the Rhyton mould-made pieces (so-called "plastic" pieces) are also found and decorative elements either hand-formed or by mould were added to thrown pots. More complex pieces were made in parts then assembled when it was leather hard by means of joining with a slip, where the potter returned to ...
Art glass normally refers only to pieces made since the mid-19th century, and typically to those purely made as sculpture or decorative art, with no main utilitarian function, such as serving as a drinking vessel, though of course stained glass keeps the weather out, and bowls may still be useful. [1]
The ornate and precious rhyta of the great civilizations of earlier times are grandiose rather than ribald, which gives the democratic vase paintings an extra satirical dimension. The connection of satyrs with wine and rhyta is made in Nonnus 's epic Dionysiaca.
Throughout the Late Helladic era, the patterns become more and more simplified until they are little more than calligraphic squiggles. The vase painter would cover the majority of the vase with horizontal bands, applied while the pottery was still on the wheel. There is a distinct lack of invention in this form of decoration.