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Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
An echo chamber is a hollow enclosure used to produce reverberation, usually for recording purposes. A traditional echo chamber is covered in highly acoustically reflective surfaces. By using directional microphones pointed away from the speakers, echo capture is maximized. Some portions of the room can be moved to vary the room's decay time.
The EchoSonic is a guitar amplifier made by Ray Butts.It was the first portable guitar amplifier with a built-in tape echo effect, and it allowed guitar players to use slapback echo, which dominated 1950s rock and roll guitar playing, on stage.
One of the key pieces of equipment in Moore's sound on many of the recordings with Presley, besides his guitars, was the Ray Butts EchoSonic, first used by Chet Atkins, a guitar amplifier with a tape echo built in, which allowed him to take his trademark slapback echo on the road.
Delay (audio effect)#Slapback echo To a section : This is a redirect from a topic that does not have its own page to a section of a page on the subject. For redirects to embedded anchors on a page, use {{ R to anchor }} instead .
Delay/echo: Delay/echo units produce an echo effect by adding a duplicate instrument-to-amplifier electrical signal to the original signal at a slight time-delay. The effect can either be a single echo called a "slap" or "slapback", or multiple echos.
The Rockman Stereo Echo is an analog delay. It can be used to provide "slap back" echo when no feedback is used. Increasing the delay time and adding feedback provides standard echo effects. It has stereo inputs, or a mono input if only the left input is used. One possible lineup is to put the Stereo Echo after the Stereo Chorus.
Jeremy Larson, writing for Pitchfork, criticized the abundant use of slapback rockabilly-style echo and the solos in one of the songs ("It's rare to find a moment on any record where it seems worth remarking how bad a solo sounds, but there it is"), saying the album is "mostly inspired, sometimes interesting, and occasionally banal". [13]