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The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. [1] The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. [2] [3] It is also used for looping. [4]
The pedal also features a rarity for an overdrive pedal: an effects loop, which allows a second pedal to be connected and activated at the same time—e.g., using the Guv'nor paired with a delay effect for solos. [61] Notable players include Gary Moore, with the pedal visible in artwork for his album Still Got the Blues. [62]
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
The new pedal will have the same functions as the original, but will feature a longer possible delay time (slightly longer than 1 second). At the same time, the MF-104SD was released in a limited edition of 250 units. The MF-104SD had a maximum delay time of 1.4 seconds, slightly longer than the MF-104Z.
The pedal also features an external effects loop) "Small Box" RAT (Bent steel U-shape enclosure) R2DU (19 inch rackmountable double RAT pedal, usable in cascade mode or dual channel) BRAT / Roadkill ('budget' USA-made RAT2 derivative circuit designed for Guitar Center including the Motorola LM308 opamp with LEDs in the negative-feedback loop.
In the early '80s, Boss was able to fit the circuitry of its best-selling SDE-3000 digital rack delay into the form factor of its analog DM-2 delay, branded as the DD-2 digital delay. A subsequent drop in component costs allowed the pedal to be sold for a lower price in 1986 as the rebranded DD-3, which has gone through three distinct versions ...