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Kamancheh. The kamancheh (also kamānche or kamāncha) (Persian: کمانچه, Azerbaijani: kamança, Armenian: քամանչա, Kurdish: کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, [1] Azerbaijani, [2] Armenian, [3] Kurdish, [4] Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument.
The common Zheng Diao tuning sets "do" to approx. "F 3" and tunes other strings relative to that to give C 3 D 3 F 3 G 3 A 3 C 4 D 4. Gusli: 9 strings 9 courses. Standard/common: E 3 A 3 B 3 C 4 D 4 E 4 F 4 G 4 A 4. Крыловидные гусли Russia Tuning varies; this is a common traditional tuning
The bow is a separate tool and necessary for the use of the instrument. Its name comes from the arc created by its fibers. It is a long wooden instrument, about 50 to 60 cm long, that has two sides, the front side has a bundle of fibers that end at its ends. The fibers passing from one end end at the other where they are tied there with leather.
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
Instruments used in traditional Azerbaijani music include the stringed instruments tar (skin faced lute), the kamancha (skin faced spike fiddle), the oud, originally barbat, and the saz (long necked lute); the double-reed wind instrument balaban, the frame drum ghaval, the cylindrical double faced drum nagara (), and the goshe nagara (pair of small kettle drums).
A goblet drum with a body made of clay. It is similar to the tonbak and used in Afghanistan. The skin has a black spot called siyahi, made of tuning paste. Drum influenced by India with technique that draws on Persian Tonbak and Indian tabla and darbuka. Zu-jalal A kind of frame drum with bells. zorkhaneh beat ضرب زورخانه
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Kamancheh has gone from having 2 strings to having 3, 4 or even 5. Prominent Azeri sazanda Sadigjan developed a new version of tar (nowadays known as the Azeri tar or the Caucasus tar) by adding one more string to this once 6-string instrument and improving it with a number of new features. [ 3 ]