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Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1] The term means "writing with fire", from the Greek pyr (fire) and graphos (writing). [2]
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though ...
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. [1] Drying time will depend on the amount and type ...
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." [1] The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors. When looking at artworks and architecture from antiquity and the European Middle Ages, people tend to believe that they were ...
Glaze fired is the final stage of some pottery making, or glost fired. [20] A glaze may be applied to the biscuit ware and the object can be decorated in several ways. After this the object is "glazed fired", which causes the glaze material to melt, then adhere to the object.
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall or on vellum (used for miniatures in illuminated manuscripts). Wood panels ...
kiln. The anagama kiln (Japanese Kanji: 穴窯/ Hiragana: あながま) is an ancient type of pottery kiln brought to Japan from China via Korea in the 5th century. It is a version of the climbing dragon kiln of south China, whose further development was also copied, for example in breaking up the firing space into a series of chambers in the ...
In-glaze decoration. In-glaze or inglaze is a method of decorating pottery, where the materials used allow painted decoration to be applied on the surface of the glaze before the glost firing so that it fuses into the glaze in the course of firing. [1][2] It contrasts with the other main methods of adding painted colours to pottery.