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Berceuse – Composition resembling a lullaby, often calm and soothing. Burlesque – Composition intended to cause laughter by caricaturing the manner or spirit of serious works. Caprice – Lively piece, typically free in form and of a light, playful character. Carol – Festive folk song or popular hymn, often of religious nature.
These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations (strings trio, quartet, quintet, sextet, etc.; piano trio, quartet, quintet, sextet, etc.), among others. A sub-title is a subsidiary name given to a work by the composer, and considered part of its formal title, such as:
Afrikaans; Anarâškielâ; Аԥсшәа; العربية; Aragonés; Arpetan; Asturianu; Български; Bosanski; Català; Чӑвашла; Čeština; Cymraeg; Dansk
Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one, listed below, are original compositions for solo piano and orchestra. Among them, fifteen were written in the years from 1782 to 1786, while in the last five years Mozart wrote just two more piano concertos. Piano Concerto No. 5 in D major, K ...
Chopin at 25, by Maria Wodzińska, 1835. Most of Frédéric Chopin's compositions were for solo piano, though he did compose several pieces for piano and orchestra (including two piano concertos) as well as some chamber works that include other instruments.
T. Tehillim for Anne; Tenebrae Responsories (Victoria) The Testament of Freedom; Thou knowest, Lord, the secrets of our hearts (Purcell) Three Fantasies after Friedrich Hölderlin
Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
Common practice period – period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.