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Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters. In iambic and trochaic meters, either the first or the second half of the metrical foot ...
Meter is the definitive pattern established for a verse (such as iambic pentameter), while rhythm is the actual sound that results from a line of poetry. Prosody also may be used more specifically to refer to the scanning of poetic lines to show meter.
An example of scansion over a quote from Alexander Pope. Scansion (/ ˈ s k æ n. ʃ ə n / SKAN-shən, rhymes with mansion; verb: to scan), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse.
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
As a technical term in metrical analysis, the term "lekythion" is first attested in the 2nd century AD, in the Handbook of Metrics by the grammarian Hephaestion. [14] Hephaestion also calls the pattern the "Euripideum" (" τὸ καλούμενον Εὐριπίδειον ἢ Ληκύθιον ", "the so-called Euripideum or Lekythion").
The key idea of the theory is that poets have a store of formulae (a formula being 'an expression that is regularly used, under the same metrical conditions, to express a particular essential idea') [1] and that by linking the formulae in conventionalised ways, poets can rapidly compose verse. Antoine Meillet expressed the idea in 1923, thus:
A definition of musical metre requires the possibility of identifying a repeating pattern of accented pulses – a "pulse-group" – which corresponds to the foot in poetry. [ citation needed ] Frequently a pulse-group can be identified by taking the accented beat as the first pulse in the group and counting the pulses until the next accent.