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Concurrently, the twalatsa dance, loosely derived from ndombolo, began infiltrating the music industries of several Southern African nations. [95] This dance, characterized by vigorous waist movements, signified a cultural shift, with local gospel artists integrating elements of Congolese rumba and ndombolo into their musical compositions. [95]
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from ...
Call it soukous, rumba, Zairois, Congo music, or kwassa-kwassa, the pop sound emanating from Congo's capital, Kinshasa has shaped modern African culture more profoundly than any other. Africa produces music genres that are direct derivatives of Congolese Soukous. Some of the African bands sing in Lingala, the main language in the DRC.
Jules Shungu Wembadio Pene Kikumba [1] ONH (14 June 1949 – 24 April 2016), known professionally as Papa Wemba (French pronunciation: [papa wɛmba]), was a Congolese singer and musician who played Congolese rumba, soukous, and ndombolo. [2]
Fally Ipupa N'simba (born 14 December 1977), known professionally as Fally Ipupa, is a Congolese musician and dancer.Often referred to as the "Prince of Rumba", [1] [2] [3] he is noted for his tenor vocals [4] as well as his blend of contemporary and traditional Congolese music genres, including Congolese rumba, soukous, and ndombolo.
In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El Pescaílla developed an uptempo style that combined elements from rumba flamenca, Spanish gypsy music and pop. This became known as Catalan rumba (rumba catalana). [16] In the 1980s, the style gained international popularity thanks to French ensemble Gipsy Kings.
After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and '80s. During his career, Tabu Ley composed up to 3,000 songs and produced 250 albums.