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African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
While traditional dresses were worn as part of expressing one's identity, South African fashion in the apartheid period witnessed the continuing growth of influence from European fashion. Pre-apartheid fashion in South Africa depended heavily on European fashion import whereas post-apartheid fashion celebrated one's ethnicity through many South ...
The Yoruba men wear agbada, which is a formal attire, commonly worn as part of a three-piece set: an open-stitched full gown, a long-sleeved shirt, and sokoto (trousers fitted snugly at the ankle). [2] The Hausa wear Babaringa. The isiagu is a men's pullover shirt similar to a dashiki that is worn by many groups in Africa.
A bedgown (sometimes bed gown, bedjacket or shortgown) is an article of women's clothing for the upper body, usually thigh-length and wrapping or tying in front. Bedgowns of lightweight printed cotton fabric were fashionable at-home morning wear in the 18th century.
Vakko was founded in 1934 by Vitali Hakko under the brand name Şen Şapka (Turkish: The Happy Hat) as a small hat seller in Sultanhamam. [10] [11] [12] In 1937, with his older brother Albert Hakko becoming a partner, Vitali Hakko changed the name of the company to Vakko and established Turkey's first silk dyeing workshop in Kurtuluş, Şişli.
Women's everyday wear was şalvar (trousers), a gömlek (chemise) that came down to mid-calf or ankle, a short, fitted jacket called a zıbın, and a sash or belt tied at or just below the waist. For formal occasions, such as visiting friends, the woman added an entari or kaftan, a long robe that was cut like the zıbın apart from the length.