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"Loving Cup" is a song by the Rolling Stones, which appears on their 1972 album Exile on Main St. An early version of "Loving Cup", with a completely different piano intro, was recorded between April and July 1969 at Olympic Sound Studios in London, during the Let It Bleed sessions.
Written by Mick Jagger and Keith Richards, "Jigsaw Puzzle" is one of the longer songs on the album.It comes in just ten seconds shorter than "Sympathy for the Devil".Parts of the recording sessions are available on the bootleg market, and on these recordings, Jagger is on acoustic guitar, Richards on electric slide guitar, Charlie Watts on drums, Bill Wyman on bass, and Nicky Hopkins on piano.
The song's lyrics refer to sexual frustration and commercialism. The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, Out of Our Heads, released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US.
The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Jerry Leiber/Artie Butler: Jagger "Down in the Bottom" 1995 2016 Totally Stripped: Willie Dixon Jagger "Down in the Hole" 1979 1980 Emotional Rescue: Jagger/Richards Jagger "Down the Road a Piece" 1964 1965 The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Don Raye: Jagger ...
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones from their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by Rolling Stone magazine in its 2004 list of the "500 Greatest Songs of All Time" before dropping a place the following year.
"Sympathy for the Devil" is a song by English rock band the Rolling Stones. The song was written by Mick Jagger and credited to the Jagger–Richards partnership. It is the opening track on the band's 1968 album Beggars Banquet.
The Stones have performed "The Spider and the Fly" live very rarely: they did so during two eras of their career, in 1965-1966 and once during the 1995 leg of their Voodoo Lounge Tour. A March 1995 studio reworking of the song was included on the Stones' album Stripped. For this version the age of the woman in the song was updated from thirty ...
Paste called it "a simple ode to the proletariat" and ranked it 37th in its Top 50 Rolling Stones songs. [6] Rolling Stone ranked it 45th in its countdown of the band's top 100 songs, praising Richards' vocals and "gospel reverie." [4] Classic Rock History critic Matthew Pollard rated it as the Rolling Stones' 6th best deep cut, noting that "It ...