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The "pink set" was provided by James K. Kerr of Philadelphia. [87] The china has a pink border. Inside the border is a gold Greek fret motif, and a gold monogram capital letter "L" is centered in the plates and saucers. [81] Kerr most likely decorated the piece, or at least provided the gilding and monogram. [89]
"Greetings from Chicago, Illinois" large-letter postcard produced by Curt Teich The history of postcards is part of the cultural history of the United States. Especially after 1900, "the postcard was wildly successful both as correspondence and collectible" and thus postcards are valuable sources for cultural historians as both a form of epistolary literature and for the bank of cultural ...
Postcards document the natural landscape as well as the built environment—buildings, gardens, parks, cemeteries, and tourist sites. They provide snapshots of societies at a time when few newspapers carried images. [16] Postcards provided a way for the general public to keep in touch with their friends and family, and required little writing. [16]
For the 2¢ value, which satisfied the normal letter rate, the most familiar Gilbert Stuart image of Washington had been chosen. After postal rates rose that July, this 2¢ red Washington was redesigned as a 3¢ stamp and issued in the purple color that now became ubiquitous among U.S. commemoratives. [citation needed]
Donald Fraser Gould McGill (28 January 1875 – 13 October 1962) was an English graphic artist whose name has become synonymous with the genre of saucy postcards, particularly associated with the seaside (though they were sold throughout the UK).
Wooden postcards light enough for the postcard rate required 1 cent postage until 1952; 2 cents from 1952 to 1958; and 3 cents from 1958 to 1963. The postage rates were once commonly printed on the cards. [3] Select wooden postcards with bas relief designs were made. [3] B.B. Quality Line produced bird's eye maple wooden postcards in Wisconsin ...