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Film noir is of course the dark, mysterious genre made popular in the 1940s and '50s and full of long shadows, shady characters, gloomy streets, inky nights and dimly lit rooms.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Mihaly Robert Csikszentmihalyi (/ ˈ m iː h aɪ ˈ tʃ iː k s ɛ n t m iː ˌ h ɑː j iː / MEE-hy CHEEK-sent-mee-HAH-yee, Hungarian: Csíkszentmihályi Mihály Róbert, pronounced [ˈt͡ʃiːksɛntmihaːji ˈmihaːj] ⓘ; 29 September 1934 – 20 October 2021) was a Hungarian-American psychologist.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
Film Director Year Country Ref(s). 13 West Street: Philip Leacock: 1962 United States [1] The 3rd Voice: Hubert Cornfield: 1960 United States [2] Afraid to Die: Yasuzo Masumura: 1960 Japan [3] All Night Long: Basil Dearden: 1962 United Kingdom [4] Alphaville: Jean-Luc Godard: 1965 France [5] Any Number Can Win: Henri Verneuil: 1963 France [6 ...
Principles of the film had a close relationship to film noir. Richard Wright was a particular fan of film noir, and director Chenal was a pioneer in the style. He was the first to make a film treatment of the novel The Postman Always Rings Twice, and there are many parallels between Native Son and that film noir classic. [2]
The horror noir genre has evolved through a mix of horror and noir elements, first rooted in German Expressionist films of the early 20th century, like The Cabinet of Dr. Caligari (1920), which used stark lighting, exaggerated shadows, and psychological themes that influenced both horror and film noir. As film noir emerged in the 1940s and ...
Steven H. Scheuer's TV Movie Almanac & Ratings 1958 & 1959 gives Borderline a "Fair" rating of 2 stars (out of 4), summarizing its plot as "[A] policewoman is sent to get the goods on dope smugglers working from Los Angeles to Mexico" with the evaluation, "[U]ncertain melodrama wavers between seriousness and farce, is successful at neither". 35 years later, in the 1993–1994 edition, the plot ...