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J. R. R. Tolkien was a scholar of English literature, a philologist and medievalist interested in language and poetry from the Middle Ages, especially that of Anglo-Saxon England and Northern Europe. [1] His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of ...
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
Joe Abbott describes the dark lords Morgoth and Sauron as monsters, intelligent and powerful but wholly gone over to evil. He notes that in The Monsters and the Critics, Tolkien distinguished between ordinary monsters in the body, and monsters also in spirit: "The distinction [is] between a devilish ogre, and a devil revealing himself in ogre ...
In J. R. R. Tolkien's fictional continent of Middle-earth, Mordor (pronounced; from Sindarin Black Land and Quenya Land of Shadow) is the realm and base of the evil lord Sauron. It lay to the east of Gondor and the great river Anduin , and to the south of Mirkwood .
Tolkien's Roman Catholicism gave him a clear sense of good and evil, and a ready symbolism to hand: light symbolises good, and darkness evil, as it does in the Bible. [ 10 ] [ 11 ] In The Fellowship of the Ring , the first evil being that the Hobbits encounter after leaving the Shire on the quest to destroy the One Ring is Old Man Willow , a ...
England and Englishness are represented in multiple forms within J. R. R. Tolkien's Middle-earth writings; it appears, more or less thinly disguised, in the form of the Shire and the lands close to it; in kindly characters such as Treebeard, Faramir, and Théoden; in its industrialised state as Isengard and Mordor; and as Anglo-Saxon England in Rohan.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
Tolkien constructed languages for the Elves to sound pleasant, and the Black Speech of the evil land of Mordor to sound harsh; poetry suitable for various peoples of his invented world of Middle-earth; and many place-names, chosen to convey the nature of each region.