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This is the second domestic Spinners compilation (after a 1977 British compilation, Smash Hits) and includes recordings from a series of successful albums produced by Thom Bell for Atlantic Records in the 1970s. [1]
The group's contract expired in 1972 and most of the band members decided to leave Motown, but vocalist G. C. Cameron had married Gwen Gordy and had a different contract than the rest of the performers, so he departed the Spinners and encouraged them to add Philippé Wynne; [1] the renewed line-up recorded a string of successful albums produced ...
The Best of the Spinners is the name of several compilations, including: The Best of the Spinners (1973 album) , released on Motown, covering 1960s singles and their first two studio albums The Best of the Spinners (1978 album) , released on Atlantic, covering the 1970s studio albums on Atlantic produced by Thom Bell
The Best of the Spinners: 124 37 — Motown: 1977 Smash Hits — — 37 Atlantic: 1978 The Best of the Spinners: 115 56 — 1991 A One of a Kind Love Affair: The Anthology — — — 1993 The Very Best of the Spinners — — — Rhino: 1997 The Very Best of the Spinners, Vol. 2 — — — 2000 Their Early Years — — — Tri-Phi 2001 ...
"How Could I Let You Get Away" is a song recorded by the American vocal group The Spinners (known as "Detroit Spinners" in the UK). Produced by Thom Bell and recorded at Philly's Sigma Sound Studios , the lush, string-augmented production of the song drew comparisons to another Bell - produced group, The Stylistics .
Sung as a duet with Spinners main lead singer Bobby Smith and the Spinners, who were one of the most popular groups of the decade, the song became Warwick's first ever single to reach number one on the US Billboard Hot 100 [2] and also became her highest-charting R&B record of the 1970s, reaching number two on that chart, behind Barry White's ...
Guitarist Munaf Rayani told The A.V. Club, “They asked us for one of our songs for the theme song, and we said ‘No way!’ Boy, were we dummies.” Boy, were we dummies.” Watch on Netflix
The Spinners had a series of certified gold albums produced by Thom Bell for Atlantic Records in the 1970s. [1] By 1977, vocalist Philippé Wynne had left the group for a solo career and to work in the music business, [2] leading to a commercial decline for the group and a pair of less successful albums in 1977, followed by a greatest hits album to buoy their profile.