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The Heartless Control Everything is the third EP from the American post-hardcore band The Chiodos Bros, later known simply as Chiodos.It was released January 25, 2003 on the label Search and Rescue Records.
The melody for this section of the song may have been adapted from "Goodnight, Ladies", written (as "Farewell Ladies") in 1847 by E.P. Christy. [ 9 ] According to the liner notes to Pete Seeger 's Children's Concert at Town Hall (1963), the "Dinah won't you blow" section is a more modern addition, contributed to the song by "some college students".
The lyrics and the melodies of the War Hymn are as follows: [1] [2] [3] Hullabaloo, Caneck! Caneck! Hullabaloo, Caneck! Caneck! First verse Melody: Goodbye, My Coney Island Baby by Les Applegate All hail to dear old Texas A&M Rally around Maroon and White Good luck to dear old Texas Aggies They are the boys who show the real old fight
In today's trading, investors are looking to extend their gains to three days, tying all the way back to last week's jobs numbers. Today's upswing is powered by earnings beats and the return of ...
It is not true, as is commonly believed, that bulls have horns and cows do not: the presence of horns depends on the breed, or in horned breeds on whether the horns have been disbudded. (It is true, however, that in many breeds of sheep only the males have horns.) Cattle that naturally do not have horns are referred to as polled, or muleys. [8]
Polled livestock are preferred by many farmers for a variety of reasons, the foremost being that horns can pose a physical danger to humans, other livestock and equipment. Horns may also interfere with equipment used with livestock (such as a cattle crush), or they may become damaged during handling.
The horns are unusually large, with a wide spread [2]: 110 and the largest circumference found in any cattle breed. Guinness World Records lists a bull named CT Woodie with a horn circumference of 103.5 cm (40.7 in) and a steer named Lurch, with horns measuring 95.25 cm (37.50 in), as record-holders.
John Graves, who wrote it in the Cumbrian dialect, tinkered with the words over the years and several versions are known.George Coward, a Carlisle bookseller who wrote under the pseudonym Sidney Gilpin, rewrote the lyrics with Graves' approval, translating them from their original broad Cumberland dialect to Anglian; and in 1866, he published them in the book, Songs and Ballads of Cumberland.