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Russian World War 1 propaganda posters generally showed the enemies as demonic, one example showing Kaiser Wilhelm as a devil figure. [13] They would all depict the war as ‘patriotic’, with one poster saying that the war was Russia’s second ‘patriotic war’, the first being against Napoleon.
This 30-word poster was an official product of the Parliamentary Recruitment Committee and was more popular contemporaneously. Printed at 20 by 30 in (51 by 76 cm) or 40 by 50 in (100 by 130 cm) The use of Kitchener's image for recruiting posters was so widespread that Lady Asquith referred to the field marshal simply as "the Poster". [23]
How Britain Prepared (1915 British film poster). In the First World War, British propaganda took various forms, including pictures, literature and film. Britain also placed significant emphasis on atrocity propaganda as a way of mobilising public opinion against Imperial Germany and the Central Powers during the First World War. [1]
The Division produced 1438 designs for propaganda posters, cards buttons and cartoons in addition to 20000 lantern pictures (slides) to be used with the speeches. [26] Charles Dana Gibson was America's most popular illustrator – and an ardent supporter of the war. When Creel asked him to assemble a group of artists to help design posters for ...
Author Karyn Burnham writes that propaganda posters of the time "presented a carefully crafted image of manhood defining 'real' men as those who fought for their families, for King and Country". She cites this poster as an example of an image that prompted men to assess their self-worth. [22]
"Women of Britain Say 'Go! '" was produced in March 1915.It was printed by Hill, Siffken and Co Ltd, London, and published by the Parliamentary Recruitment Committee, [7] who produced the majority of the early recruitment posters in World War I. [8] It was one of a collection of posters commissioned by the Committee which were targeted towards women. [9]
1918 poster showing a woman in red and a woman in green welcomed by a woman in white gown (Italy) Although slow to mobilise public opinion through active propaganda, the government did act to censor the press. War correspondents were aware of the reality of the front and sent detailed reports to their editors.
Private companies also sponsored recruitment posters: Remember Belgium, by the Belgian-born Frank Brangwyn and The Only Road for an Englishman by Gerald Spencer Pryse were two notable examples produced on behalf of the London Electric Railways. Although Brangwyn produced over 80 poster designs during the War, he was not an official war artist. [11]