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Kelvingrove Art Gallery and Museum is one of Scotland's most popular museums and free visitor attractions. [2] The art gallery and museum opened in 1901, and the collection encompasses natural history, Egyptian antiquities, design, architecture, medieval arms and armoury, Scottish history and the history of Glasgow.
The Kelvingrove Art Gallery and Museum. Glasgow Museums is the group of museums and galleries owned by the City of Glasgow, Scotland. [1] They hold about 1.6 million objects including over 60,000 art works, over 200,000 items in the human history collections, over 21,000 items relating to transport and technology, and over 585,000 natural history specimens. [2]
[3] [4] It marked the opening of the city's Kelvingrove Art Gallery and Museum and also commemorated the fiftieth anniversary of the first world's fair held in the UK, doubling that attendance with 11.5 million visits. [1] Following the style popularised at the 1893 Chicago world's fair, the main exhibition building was in Renaissance-Baroque ...
Christ of Saint John of the Cross is a painting by Salvador Dalí made in 1951 which is in the collection of the Kelvingrove Art Gallery and Museum, Glasgow.It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen.
Motherless at the Kelvingrove Art Gallery and Museum Motherless at the Homewood Cemetery in Pittsburgh. Motherless is an 1889 sculpture by George Anderson Lawson. It depicts a child in the arms of their seated father. It is in the collection of the Kelvingrove Art Gallery and Museum in Glasgow.
Pages in category "Paintings in Kelvingrove Art Gallery and Museum" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes .
The Kelvingrove Art Gallery and Museum consists of three floors: [1] The Lower Ground Floor is the main public entrance to the gallery. It contains a small RBS Gallery and a café. The extended part of the lower ground floor is known as the Campbell Hunter Foundation Education Wing.
If anything, this highlighted the inadequacy of Kelvingrove House as a museum, and as it now stood in a public park, limited its alternative uses. [4] The profit from the 1888 exhibition (£46,000) was sufficient to fund a major new facility. [2] The city resolved to build a far larger museum and art gallery.