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D.L.M. (also L.M.D., or LMD)—Doubled LM, 8.8.8.8.8.8.8.8. 8.7.8.7.D —equivalent to two verses of 8.7.8.7., either trochaic or iambic . English minister and hymn writer Isaac Watts , who wrote hundreds of hymns and was instrumental in the widespread use of hymns in public worship in England, is credited with popularizing and formalizing ...
Trishtubh (Sanskrit: त्रिष्टुभ्, IPA: [tɽɪˈʂʈʊbʱ], IAST: Triṣṭubh) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
E. V. Arnold classified the hymns of the Rigveda into four periods, partly on the grounds of language and partly of metre. [16]In the earliest period, which he calls "Bardic", when often the names of the individual poets are known, a variety of metres are used, including, for example, a ten-syllable version of the triṣṭubh; some poems of this period also often show an iambic rhythm (ᴗ ...
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Long metre or long measure, abbreviated as L.M. or LM, is a poetic metre consisting of four line stanzas, or quatrains, in iambic tetrameter with alternate rhyme pattern ABAB. [1] The term is also used in the closely related area of hymn metres. When the poem is used as a sung hymn, the metre of the text is denoted by the syllable count of each ...
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. [1] The word hymn derives from Greek ὕμνος (hymnos), which means "a song of praise". [2]
From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might ...