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Aesop and the Ferryman; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin
Jean de La Fontaine collected fables from a wide variety of sources, both Western and Eastern, and adapted them into French free verse. They were issued under the general title of Fables in several volumes from 1668 to 1694 and are considered classics of French literature. Humorous, nuanced and ironical, they were originally aimed at adults but ...
One of the earliest examples of these urban slang translations was the series of individual fables contained in a single folded sheet, appearing under the title of Les Fables de Gibbs in 1929. Others written during the period were eventually anthologised as Fables de La Fontaine en argot (Étoile sur Rhône, 1989).
Articles relating to fables, succinct fictional stories, in prose or verse, that feature animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrate or lead to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim.
The words of La Fontaine's own fable were set by several other musicians, including: Jules Moinaux in 1846. [47] Théodore Ymbert for two voices (1860). [48] [49] Pauline Thys as part of her Six Fables de La Fontaine (1861). [50] Félix Godefroid for four unaccompanied men's voices (1861). [51] Régis Campo as the second of his 5 Fables de La ...
Jean-Baptiste Oudry's design for La Fontaine's fable, 1759. An enfeebled fox is plagued by flies, ticks or mosquitoes, of which a hedgehog offers to rid her. The fox refuses such help on the grounds that the insects have already gorged themselves on her blood and hardly trouble her now, but they would inevitably be succeeded by new swarms if removed.
Jean-Baptiste Oudry's oil painting of the fable. The Wolf and the Lamb is a well-known fable of Aesop and is numbered 155 in the Perry Index. [1] There are several variant stories of tyrannical injustice in which a victim is falsely accused and killed despite a reasonable defence.
The fable has also been proposed as a parallel text in comparative linguistics as it provides more natural language than the Lord's Prayer. In addition, impromptu tellings can indicate differences within languages such as dialects or national varieties. [24] The example above, for instance, has shined where British English usage is shone. [25]