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Balak, king of Moab, invites the prophet Balaam to come and curse the Israelites for him. Against God‘s warning, Balaam departs, but God places an angel in Balaam’s way. When his donkey swerves from the road, Balaam beats it with his stick. God allows the donkey to speak and allows Balaam to see the angel, and Balaam bows down to the ground.
Balaam and the Ass is a 1626 painting by the Dutch artist Rembrandt, dating from his time in Leiden and now in the Musée Cognacq-Jay in Paris. The painting portrays the biblical account of the talking ass debating with diviner Balaam .
Balak tried to engage Balaam the son of Beor for the purpose of cursing the migrating Israelite community. [2] On his journey to meet the princes of Moab, Balaam is stopped by an angel of the Lord after beating his female donkey. The Lord then "opened the mouth of the donkey" to tell him there was an angel with a drawn sword facing him.
Balaam and the angel, painting from Gustav Jaeger, 1836. Balaam (/ ˈ b eɪ l æ m /; [1] Hebrew: בִּלְעָם, romanized: Bīlʿām), son of Beor, [2] was a biblical figure, a non-Israelite prophet and diviner who lived in Pethor, a place identified with the ancient city of Pitru, thought to have been located between the region of Iraq and northern Syria in what is now southeastern Turkey.
Coastal Landscape with Balaam and the Ass (1636 painting by Bartholomeus Breenbergh). Balak (בָּלָק —Hebrew for "Balak," a name, the second word, and the first distinctive word, in the parashah) is the 40th weekly Torah portion (פָּרָשָׁה , parashah) in the annual Jewish cycle of Torah reading and the seventh in the Book of Numbers.
The Deir 'Alla inscription or Balaam inscription, [1] numbered KAI 312, is a famous inscription discovered during a 1967 excavation in Deir 'Alla, Jordan. [2] It is currently at the Jordan Archaeological Museum .
Buridan's Donkey, a 1932 French comedy film, is named after the paradox. Lewis Cass , the Democratic candidate for the U.S. presidency in 1848, was contrasted with Buridan's ass by Abraham Lincoln : "Mr. Speaker, we have all heard of the animal standing in doubt between two stacks of hay, and starving to death.
By the 19th century, the donkey was portrayed with more positive attributes by popular authors. William Wordsworth portrayed the donkey as loyal and patient in his 1819 poem Peter Bell:A Tale, using the donkey as a Christian symbol. Robert Louis Stevenson in Travels with a Donkey (1879), portrays the animal as a stubborn beast of burden.