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"The Chain" is a song by British-American rock band Fleetwood Mac, released on their 1977 album Rumours. [ 1 ] [ 2 ] [ 3 ] It is the only song from the album with writing credits for all five members ( Stevie Nicks , Lindsey Buckingham , Christine McVie , John McVie , and Mick Fleetwood ).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Buckingham overdubbed his own piano and bass parts and also played along to Fleetwood's drum track using a kick drum, snare drum, and a Kleenex box, the latter of which was heavily compressed. [ 1 ] As a Christmas gift, engineer Hernan Rojas gave Buckingham a charango , an instrument from the Andes with triple coursed strings and an armadillo ...
3 chord above IV (in C, FAD) is a first-inversion II chord. [2] Play ⓘ The ragtime progression [3] is a chord progression characterized by a chain of secondary dominants following the circle of fifths, named for its popularity in the ragtime genre, despite being much older. [4]
The classical guitar is an acoustical wooden guitar with six strings, usually nylon, as opposed to the metal strings used in metal stringed acoustic guitars used in other genres. [1] Classical guitar is typically played by plucking individual strings with the fingernails or the fingertips. [ 2 ]
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major chords. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. [44] These are called inversions.