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The dining room had a large rug, and white walls above a black marble dado, and a black marble buffet along one long wall, a wall fountain, and three spherical chandeliers. The furniture was a lighter style the than other wooden furniture, in brown walnut, the chairs with a cross patterned back, and gold velvet upholstery. [22] The table and ...
[8] including architecture, furniture, lamps, glass and metal work, dishes and textiles. Hoffmann designed a wide variety of objects for the Wiener Werkstätte. Some of them, like the Sitzmaschine Chair, a lamp, and sets of glasses are on display in the Museum of Modern Art in New York.
Colin McWilliam designed a desk and a bookcase incorporating copies of the portrait medallion of Robert Adam by James Tassie for this room. The modern reproduction Georgian ladder back chairs were intended to complement the existing suite of dining chairs at Bute House. The chandelier was originally in the Butes’ dining room on the ground ...
Contemporary chandeliers may assume a more minimalist design, and they may illuminate a room with direct light from the lamps or are equipped with translucent glass shades covering each lamp. Chandeliers produced nowadays can assume a wide variety of styles that span modernized and traditional designs or a combination of both.
Modern art reached its peak during the 1950s and '60s, which is why designers and decorators today may refer to modern design as being "mid-century". [44] Modern art does not refer to the era or age of design and is not the same as contemporary design, a term used by interior designers for a shifting group of recent styles and trends. [44]
The room has richly gilt chandeliers hanging from ornamental reliefs in the otherwise plain ceiling. Furniture was of tapestry and gold, with a light rug and yellow and gold curtains at the windows and doors. [12] The dining room had a high wainscot of mahogany, paneled in rectangles, above which is a broad tapestry frieze.