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Carnatic songs (kritis) are varied in structure and style, but generally consist of three units: Pallavi. This is the equivalent of a refrain in Western music, with 1 or 2 lines. Anupallavi. This is the second verse, also as 2 lines. Charana. The final (and longest) verse that wraps up the song.
Subbaraya Sastri, born 1803 - rare honour to learn from the Trinity of Carnatic Music. Palghat Parameswara Bhagavathar, born 1815; Maha Vaidyanatha Sivan, born 1844; Patnam Subramania Iyer, born 1845; Poochi Srinivasa Iyengar, born 1860; Mysore Vasudevachar, born 1865; Tiger Varadachariar, born 1876; Parupalli Ramakrishnayya Pantulu, born 1883
Muthuswami Dikshita (IAST: Muttusvāmi Dīkṣita, 24 March 1775 – 21 October 1835) or Dikshitar was a South Indian poet and composer and is one of the musical trinity of Carnatic music. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing ...
Melakarta Ragas Janya ragas are Carnatic music ragas derived from the fundamental set of 72 ragas called Melakarta ragas, by the permutation and combination of the various ascending and descending notes. The process of deriving janya ragas from the parent melakartas is complex and leads to an open mathematical possibility of around thirty thousand ragas. Though limited by the necessity of the ...
Set the Carnatic music in its present form; composed basic exercises for practice like sarali and janta varisai, and thus known as 'Karnataka Sangeetha Pithamaha', meaning the Grandfather of Carnatic music. Kanaka Dasa: 1509–1609: Kannada: 300: Adi Keshava
Purandaradasa is credited with laying the foundations of the systematic study of Karnataka Music. He composed the elementary solfeggio exercises called sarale (svarali), janti (varase), tala-alankaras as well as the group of songs called pillari gitas. These exercises form the first lessons in learning Carnatic music even today.
Varnam is a type of composition which is suited for vocal exercises of a wide variety of Carnatic music aspects, including slow and fast tempo of singing, both lyrics and swarams. It is the most complex of vocal exercises. In modern carnatic concerts, it is usually sung as a first song and is supposed to help warm-up.
Prolific in composition, the Trinity of Carnatic music is known for creating a new era in the history of carnatic music by bringing about a noticeable change in what was the existing carnatic music tradition. [1] Compositions of the Trinity of Carnatic music are recognized as being distinct in style, and original in handling ragas. [1]