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Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art. These knots are most known for their adaptation for use in the ornamentation of ...
Celtic art. The reverse side of a British bronze mirror, 50 BC – 50 AD, showing the spiral and trumpet decorative theme of the late "Insular" La Tène style. Muiredach's High Cross, Ireland, early 10th century. Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to ...
Irish art is art produced in the island of Ireland, and by artists from Ireland. The term normally includes Irish-born artists as well as expatriates settled in Ireland. Its history starts around 3200 BC with Neolithic stone carvings at the Newgrange megalithic tomb, part of the Brú na Bóinne complex which still stands today, County Meath.
Archibald Knox (designer) Archibald Knox (9 April 1864 – 22 February 1933), was a Manx designer of Scottish descent. He is best known as being Liberty 's primary designer at the height of their success and influence upon British and International design. [1] Knox's work bridged the Arts and Crafts Movement, Celtic Revival, Art Nouveau, and ...
The core territory of the La Tène culture (450 BC) is shown in solid green, the area of La Tène influence by 50 BC in light green. The territories of some major Celtic tribes are labelled. Map drawn after Atlas of the Celtic World, by John Haywood (2001: 30–37). The La Tène culture (/ ləˈtɛn /; French pronunciation: [la tɛn]) was a ...
Jim Fitzpatrick was born in December 1944 to James and Elizabeth Fitzpatrick (née O'Connor). His parents had married in the north Dublin suburb of Cabra in June 1943. . During a period of childhood sickness, Fitzpatrick read and drew in bed, as well as his mother and great-aunt telling him stories of the Tuatha Dé Danann, Cú Chulainn and Fionn MacCumhai
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Bain was the first artist to analyse and deconstruct the designs found on Pictish sculpture and metalwork, and on illuminated manuscripts such as the Book of Kells and the Lindisfarne Gospels. [6] His book Celtic Art: The Methods of Construction[7] was published in 1951. It had little impact at the time, but on its re-issue in 1972 [8] it ...