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The Hereford mappa mundi, a map of the world with Jerusalem at its centre. The Hereford Mappa Mundi (Latin: mappa mundi) is the largest medieval map still known to exist, depicting the known world. It is a religious rather than literal depiction, featuring heaven, hell and the path to salvation.
[13] [11] The medieval tale holds that Christ spent the time between his crucifixion and resurrection down in Hell, setting the Devil's captives free with the irresistible power of his divine light. The motif, Steed suggests, involves multiple elements: 1) someone imprisoned in darkness 2) a powerful and evil jailor 3) a still more powerful ...
A Hellmouth, or the jaws of Hell, is the entrance to Hell envisaged as the gaping mouth of a huge monster, an image which first appeared in Anglo-Saxon art, and then spread all over Europe. It remained very common in depictions of the Last Judgment and Harrowing of Hell until the end of the Middle Ages , and is still sometimes used during the ...
Those on the other side are deemed unworthy of Heaven, usually seized by demons and brought into the Hellmouth, beyond which, mostly out of sight, lie the bowels of hell. A decisive factor in the Doom or Last Judgement will be the question, if the corporal works of mercy were practiced or not during lifetime. They rate as important acts of charity.
This painting is now in the Kimbell Art Museum in Fort Worth, Texas. [1] [4] It shows the common medieval subject, included in the Golden Legend and other sources, of Saint Anthony (AD 251 – 356) being assailed in the desert by demons, whose temptations he resisted; the Temptation of St Anthony (or
The Testament of Solomon is a pseudepigraphical work, purportedly written by King Solomon, in which the author mostly describes particular demons who he enslaved to help build the temple, the questions he put to them about their deeds and how they could be thwarted, and their answers, which provide a kind of self-help manual against demonic activity.
In demonology, sigils are pictorial signatures attributed to demons, angels, or other beings. In the ceremonial magic of the Middle Ages , sigils were used in the summoning of these beings and were the pictorial equivalent to their true name .
Notes: See the Collector's Notes.: References: For full details, see PJ. Mode, "References" Source/Photographer: Caetani, Michelangelo. La materia della Divina commedia di Dante Alighieri dichiarata in VI tavole da Michelangelo Caetani.