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  2. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  3. Three-chord song - Wikipedia

    en.wikipedia.org/wiki/Three-chord_song

    A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.

  4. Raid (video games) - Wikipedia

    en.wikipedia.org/wiki/Raid_(video_games)

    In video games, a raid is a type of mission in Massively multiplayer online role-playing games (MMORPGs) where a much larger number than usual of people specifically gather in an attempt to defeat either: (a) another number of people at player-vs-player (PVP), (b) a series of computer-controlled enemies (non-player characters; NPCs) in a player-vs-environment (PVE) battlefield, or (c) a very ...

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in

  6. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  7. The Raid: Redemption (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/The_Raid:_Redemption...

    The Raid: Redemption is a soundtrack/score album composed by Joseph Trapanese and Linkin Park's co-vocalist Mike Shinoda, who also serves as producer for the album, which was originally inspired from the 2012 live-action film The Raid: Redemption.

  8. Tak and the Guardians of Gross - Wikipedia

    en.wikipedia.org/wiki/Tak_and_the_Guardians_of_Gross

    Despite Keeko's warning, Tak goes anyway. After going through a long trail full of Woodie Tribesmen, Tak makes it to the shrine. He accidentally destroys a giant gem housed in the shrine, freeing four beasts imprisoned within it known as the Big Gs. Tak meets with the four Jujus known as the Guardians of Gross, who give him various forms of magic.

  9. Common chord (music) - Wikipedia

    en.wikipedia.org/wiki/Common_chord_(music)

    For example, G major and D major have 4 chords in common: G, Bm, D, Em. This can be easily determined by a chart similar to the one below, which compares chord qualities. The I chord in G major—a G major chord—is also the IV chord in D major, so I in G major and IV in D major are aligned on the chart.