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The glass at the top of the window was often also filled with painted architectural detail, such as arches, pinnacles and canopies, which harmonised with the architecture of the church itself. The figures in the windows showed the influence of medieval manuscripts; the poses were more natural. [4] The 14th-century glass also showed technical ...
The monk Theophilus Presbyter described glass-production in minute detail early in the 12th century in his treatise Schedula diversum artium - the glass-painter was to trace the composition of a window on a panel of bleached wood, before cutting the glass sections on it and finally painting and assembling them.
French Gothic stained glass windows were an important feature of French Gothic architecture, particularly cathedrals and churches built between the 12th century and 16th century. While stained glass had been used in French churches in the Romanesque period , the Gothic windows were much larger, eventually filling entire walls.
Stained glass windows were a prominent feature of the Gothic church and cathedral from the beginning. Abbot Suger, who considered that light was a manifestation of the divine, installed colorful windows in the ambulatory of Basilica of Saint Denis, and they were featured in all the major cathedrals in France, England and the rest of Europe. In ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
One of the many stained-glass windows at Canterbury Cathedral. The earliest coloured glass windows in the cathedral date from the late 12th century, whilst others are as new as the four Ervin Bossányi windows in the south-east transept (1957). Many have already been conserved and protected by the team of stained glass conservators led by ...
The most famous features of the chapel, among the finest of their type in the world, are the fifteen great stained-glass windows in the nave and apse of the upper chapel, which date from the mid-13th century, as well as the later rose window (put in place in the 15th century). The stone wall surface is reduced to little more than a delicate ...
The molten glass was colored with metal oxides, and then blown into a bubble, which was cut and flattened into small sheets. [22] The glass sheets were then transferred to the workshop of the window-maker, usually close to the cathedral site. There a full-size precise drawing of the window was made on a large table, with the colors indicated.