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The painting was first exhibited in 1876 at the Accademia di San Luca in Rome. It went on to tour Europe with stops in Vienna, Munich, Prague, Lviv, Berlin, Saint Petersburg, Poznań, Paris and London. It was met with critical acclaim by masters of academic art such as Hans Makart and Lawrence Alma-Tadema. [3]
2nd-century AD Roman statue of a Virgo Vestalis Maxima (National Roman Museum) 1st-century BC (43–39 BC) aureus depicting a seated Vestal Virgin marked vestalis. In ancient Rome, the Vestal Virgins or Vestals (Latin: Vestālēs, singular Vestālis [wɛsˈtaːlɪs]) were priestesses of Vesta, virgin goddess of Rome's sacred hearth and its flame.
The Great Fire of Rome (Latin: incendium magnum Romae) began on the 19th of July 64 AD. [1] The fire started in the merchant shops around Rome's chariot stadium, Circus Maximus . After six days, the fire was brought under control, but before the damage could be assessed, the fire reignited and burned for another three days.
The sacred fire of Vesta was a sacred eternal flame in ancient Rome.The Vestal Virgins, originally numbering two, later four, and eventually six, were selected by lot and served for thirty years, tending the holy fire and performing other rituals connected to domestic life—among them were the ritual sweeping of the temple on June 15 and the preparation of food for certain festivals.
Characterized as a Baroque reaction to the Third Style's mannerism, the Fourth Style in Roman wall painting (c. 60–79 AD), developed as a consequence of the decoration of Nero's Domus Aurea following the Great Fire of Rome in 64 CE, is generally less ornamented than its predecessor. It revived large-scale narrative painting and panoramic ...
The Fire of Rome by Hubert Robert (1785) The Great Fire of Rome began on the night of 18 to 19 July 64, probably in one of the merchant shops on the slope of the Aventine overlooking the Circus Maximus, or in the wooden outer seating of the Circus itself. Rome had always been vulnerable to fires, and this one was fanned to catastrophic ...
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
Votive paintings in the ambulatory of the Chapel of Grace, in Altötting, Bavaria, Germany Mexican votive painting of 1911; the man survived an attack by a bull. Part of a female face with inlaid eyes, Ancient Greek Votive offering, 4th century BC, probably by Praxias, set in a niche of a pillar in the sanctuary of Asclepios in Athens, Acropolis Museum, Athens Bronze animal statuettes from ...