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The Great Fire of Rome (Latin: incendium magnum Romae) began on the 19th of July 64 AD. [1] The fire started in the merchant shops around Rome's chariot stadium, Circus Maximus . After six days, the fire was brought under control, but before the damage could be assessed, the fire reignited and burned for another three days.
The painting was first exhibited in 1876 at the Accademia di San Luca in Rome. It went on to tour Europe with stops in Vienna, Munich, Prague, Lviv, Berlin, Saint Petersburg, Poznań, Paris and London. It was met with critical acclaim by masters of academic art such as Hans Makart and Lawrence Alma-Tadema. [3]
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work.Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, [1] although they were not considered as such at the time.
Roman painting style, or 'illusionism' that dominated the 1st century BCE and retained the marble look of the First Style but incorporated painted walls with faux architectural features and trompe-l'œil ("trick the eye") compositions. Painters wanted to give off the illusion that the viewer was looking through a window at the scenery depicted.
The Fire in the Borgo is a painting created by the workshop of the Italian Renaissance artist Raphael between 1514 and 1517. [1] Though it is assumed that Raphael did make the designs for the complex composition, the fresco was most likely painted by his assistant Giulio Romano .
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
The Stanza dell'incendio del Borgo was named for the Fire in the Borgo fresco which depicts Pope Leo IV making the sign of the cross to extinguish a raging fire in the Borgo district of Rome near the Vatican. This room was prepared as a music room for Julius' successor, Leo X. The frescos depict events from the lives of Popes Leo III and Leo IV.
The Artist's Studio, 1760, Städelsches Kunstinstitut. He spent fully eleven years in Rome, a remarkable length of time; after the young artist's official residence at the French Academy in Rome ran out, he supported himself by works he produced for visiting connoisseurs like the abbé de Saint-Non, who took Robert to Naples in April 1760 to visit the ruins of Pompeii.