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"Marie's the Name) His Latest Flame" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway with Del Shannon, which was released in June 1961.
Presley performs it as part of a medley with "Get Back" in the 1970 rockumentary film Elvis: That's the Way It Is. "Little Sister" would later be covered by such artists as Dwight Yoakam, Robert Plant, The Nighthawks, and Pearl Jam. A version by Ry Cooder, from his album Bop Till You Drop, was a number-one hit in New Zealand. [7] [8]
From Elvis Presley Boulevard, Memphis Tennessee: Love Letters: Edward Heyman, Victor Young: 1966: Elvis' Gold Records Volume 4: The Love Machine: Chuck Taylor, Fred Burch, Gerald Nelson: 1966: I Got Lucky: Love Me: Jerry Leiber and Mike Stoller: 1956: Elvis (1956 album) Love Me Tender: Elvis Presley, George R. Poulton and Vera Matson (pseudonym ...
He was playing this great solo version of Elvis Presley’s ‘His Latest Flame,’ and I got chills. That didn’t make it into the early version of ‘Heartbreakers Beach Party,’ but we’ve ...
Following Presley's death on August 16, 1977, new posthumous singles have been released in addition to many of his original singles being reissued around the world. The first single to be issued following Presley's death was a live recording of " My Way ", taken from the soundtrack of his final television special, Elvis in Concert .
After tying the knot in 1967 and welcoming their first and only child together, Lisa Marie Presley, in 1968, Elvis and Priscilla eventually divorced in 1973. They are said to have remained close ...
Pot Luck with Elvis is the seventh studio album by American singer and musician Elvis Presley, released on RCA Victor in mono and stereo, LPM/LSP 2523, in May 18, 1962.. Recording sessions took place on March 22, 1961, at Radio Recorders in Hollywood, and on June 25 and October 15, 1961, and March 18 and March 19, 1962, at RCA Studio B in Nashville, Ten
Baz Luhrmann's splashy "Elvis" biopic attempts to make the King relevant to a new generation. But 50 years after Presley's last Top 10 hit, is it too late?