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Kakathiya style architecture Ramappa temple in Palampeta The west tower of the Meenakshi temple. Dravidian architecture, or the Southern Indian temple style, is an architectural idiom in Hindu temple architecture that emerged from Southern India, reaching its final form by the sixteenth century.
Architecture of a Hindu temple (Nagara style). These core elements are evidenced in the oldest surviving 5th–6th century CE temples. Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or ...
A seven-storey vimana. Vimana is the structure over the garbhagriha or inner sanctum in the Hindu temples of South India and Odisha in East India. In typical temples of Odisha using the Kalinga style of architecture, the vimana is the tallest structure of the temple, as it is in the shikhara towers of temples in West and North India.
Further, the temples include north Indian Bhumija and south Indian Vesara aedicules on the outer walls above the panels. [ 1 ] [ 2 ] It is unclear when this temple pair was built, but given the style and architectural innovations embedded therein, it was likely complete before 1250 CE.
Kerala architecture is a style of architecture found in the Indian state of Kerala, and in parts of the Tulu Nadu region of Karnataka. Kerala's architectural style includes a unique Hindu temple architecture that emerged in southwestern India, and varies slightly from the Dravidian architecture observed in other parts of southern India .
Dravidian style architecture is commonly seen throughout Pandyan temples and it is a southern Indian architectural style. [35] The predominant features of Dravidian architecture are the main tower, referred to as the vimana, and the entrance gateway referred to as the gopuram.
The dhvajastambha is a common feature in South Indian temples. [1] Two other objects that are grouped together with this flagstaff are the bali pitham (altar for offerings) and the vehicle of the deity to whom the temple is dedicated. Symbolically, these three objects are shields that protect the sanctuary of the temple from the impure and ...
They have no precedent in Indian architecture and have proved to be "templates" for building larger temples in the South Indian tradition of Dravidian temple architecture. [6] Though cut out of monolithic rocks, they are carved in the form of structural temples in regular building form and hence termed as "quasimonolithic temple form".