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Allen Toussaint and Dr. John perform a duet. The 14th Dalai Lama got out of his seat and came over to watch and listen closely in obvious delight. This is the discography for American R&B-jazz musician Allen Toussaint .
Allen Richard Toussaint (/ ˈ t uː s ɑː n t /; January 14, 1938 – November 10, 2015) was an American musician, songwriter, arranger, and record producer.He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures."
Produced by Toussaint, the album was recorded at his Sea-Saint Studios, with his son, Reginald, contributing as Connected ' s engineer. [6] [7] The album is a collection of original songs written by Toussaint. [8] Toussaint had been working on the album for many years; he was prodded by Reginald to finish it. [9]
American Tunes is the final recording from New Orleans jazz and R&B pianist Allen Toussaint, released on Nonesuch Records on June 10, 2016. It was produced by Joe Henry and includes music from a 2013 solo session at the pianist's home studio in New Orleans and an October 2015 session featuring musicians Bill Frisell, Charles Lloyd, Greg Leisz, Jay Bellerose, and David Piltch, with special ...
Southern Nights is a concept album by American singer, songwriter, and producer Allen Toussaint, released in May 1975. [2] [3] Seminal to the development of New Orleans rhythm and blues, the album draws on funk and soul styles while "flirting with neo-psychedelia".
The Bright Mississippi is an album by the New Orleans Jazz and R&B pianist Allen Toussaint, released on Nonesuch Records in 2009. [1] The album reached No. 8 on the Billboard Top Jazz Albums chart. [2]
Other USPS 2025 stamp designs include an Allen Toussaint stamp to commemorate “the virtuoso pianist, singer, songwriter, composer, arranger and producer,” a Year of the Snake design to mark ...
Sea-Saint co-owner Allen Toussaint would play piano on the track "Rock Show". As soon as the sessions began, the personality clash that had been evident between McCulloch and Britton during Wings' 1974 sessions in Nashville became more pronounced, and Britton – after a six-month tenure – quit Wings, having played on only three of the new songs.