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Katie Brayben (Carole King) with Alan Morrissey at the Aldwych Theatre, London in 2015. Beautiful: The Carole King Musical is a jukebox musical with a book by Douglas McGrath that tells the story of the early life and career of Carole King, using songs that she wrote, often together with Gerry Goffin, and other contemporary songs by Barry Mann, Cynthia Weil, Phil Spector and others.
The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop. The musical opened off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off
Ordinary Days is a sung-through musical with music and lyrics by American composer Adam Gwon. [1] Set in New York City, the musical follows four characters, Claire, Jason, Warren, and Deb, exploring how their ordinary lives connect in the most amazing ways.
The Band Wagon is a musical revue with book by George S. Kaufman and Howard Dietz, lyrics also by Dietz and music by Arthur Schwartz. It first played on Broadway in 1931, running for 260 performances. It introduced the song "Dancing in the Dark" and inspired two films. [1]
The Musical of Musicals (The Musical!) is a musical by Joanne Bogart and Eric Rockwell. [1] It has five acts, each of which is a short musical parodying (and paying homage to) the style of an American or British musical theater composer or composer/lyricist team, all dealing with roughly the same classic melodrama plot: "I can't pay the rent!"
The music of Songs for a New World is influenced by a broad range of musical genres, including pop, gospel and jazz. Many of the songs combine elements of two or more of these genres. The piano features heavily throughout the show's music. An extensive background and analysis essay about the show was written by Scott Miller. [12]
Thoroughly Modern Millie is a musical with music by Jeanine Tesori, lyrics by Dick Scanlan, and a book by Richard Morris and Scanlan. [1] It is based on the 1967 film of the same name, [2] which itself was based on the British musical Chrysanthemum, which opened in London in 1956. [3]
In German, the term Charakterstück was originally used to denote a broad range of 19th-century piano music based on a single idea or program, although attempts to use musical effects to describe nonmusical subjects are “probably as old as music itself.” [3] Character pieces are a staple of Romantic music, and are essential to that movement ...