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Katie Brayben (Carole King) with Alan Morrissey at the Aldwych Theatre, London in 2015. Beautiful: The Carole King Musical is a jukebox musical with a book by Douglas McGrath that tells the story of the early life and career of Carole King, using songs that she wrote, often together with Gerry Goffin, and other contemporary songs by Barry Mann, Cynthia Weil, Phil Spector and others.
Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman.. The plot centers on a crumbling Broadway theater, now scheduled for demolition, previously home to a musical revue (based on the Ziegfeld Follies).
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The music is steeped in the androgynous 1970s glam rock style of David Bowie (who co-produced the Los Angeles production of the show), as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop. The musical opened off-Broadway in 1998, and won the Obie Award and Outer Critics Circle Award for Best Off
The Musical of Musicals (The Musical!) is a musical by Joanne Bogart and Eric Rockwell. [1] It has five acts, each of which is a short musical parodying (and paying homage to) the style of an American or British musical theater composer or composer/lyricist team, all dealing with roughly the same classic melodrama plot: "I can't pay the rent!"
The music of Songs for a New World is influenced by a broad range of musical genres, including pop, gospel and jazz. Many of the songs combine elements of two or more of these genres. The piano features heavily throughout the show's music. An extensive background and analysis essay about the show was written by Scott Miller. [12]
Edna Ferber's great-niece, Julie Gilbert, had approached LaChiusa about five years earlier to write a musical based on the novel Giant. LaChiusa and Pearson initially thought it impossible to stage as a musical. The novel covers decades, and has a large number of characters, with a massive backdrop in wide-open, early 20th-century Texas.
Tuck Everlasting is a musical based upon the American children's novel Tuck Everlasting by Natalie Babbitt.It features music by Chris Miller, lyrics by Nathan Tysen and a book by Claudia Shear and Tim Federle, with direction and choreography by Casey Nicholaw.