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The idea of a Greek influence on the development of Buddhism has been particularly advocated by Étienne Lamotte [62] and Thomas McEvilley, who has speculated that “like the Gandharan art style, the Gandharan Buddhist style must have had a prominent Hellenic factor”, [63] although he does not employ the term "Greco-Buddhism" for this ...
Examples of the influence of Hellenistic or Greco-Buddhist art on the art of the Shunga Empire (183-73 BC) are usually faint. The main religion, at least at the beginning, seems to have been Hinduism , although some late Buddhist realizations in Madhya Pradesh as also known, such as some architectural expansions that were done at the stupas of ...
Syncretism functioned as a feature of Hellenistic Ancient Greek religion, although only outside of Greece. Overall, Hellenistic culture in the age that followed Alexander the Great itself showed syncretist features, essentially blending Mesopotamian, Persian, Anatolian, Egyptian, and (eventually) Etruscan–Roman elements within a Hellenic formula.
Serapis, a Greco-Egyptian god worshipped in Hellenistic Egypt. The concept of Hellenistic religion as the late form of Ancient Greek religion covers any of the various systems of beliefs and practices of the people who lived under the influence of ancient Greek culture during the Hellenistic period and the Roman Empire (c. 300 BCE to 300 CE).
The features are already rather late, and show a degeneration compared to more classical types: the drapery is already not as three-dimensional, and the head is large and broad-jawed. [20] Kushan art blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. [2]
Gandhara (IAST: Gandhāra) was an ancient Indo-Aryan [1] region in present-day Pakistan and Afghanistan. [2] [3] [4] The core of the region of Gandhara was the Peshawar and Swat valleys extending as far east as the Pothohar Plateau in Punjab, though the cultural influence of Greater Gandhara extended westwards into the Kabul valley in Afghanistan, and northwards up to the Karakoram range.
Representations of the five Dhyani Buddhas, who are abstract aspects of Buddhahood rather than Buddhas or gods, have elaborate differences. [6] Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white).
Likewise, in Asian nations with Buddhist populations, there were also attempts to bring the insights of Western thought to Buddhist philosophy, as can be seen in the rise of Buddhist modernism. After WWII spread of Buddhism to the West scholarly interest arose in a comparative, cross-cultural approach between Eastern and Western philosophy.