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The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 utilized 10" Fender Special Design speakers made by Eminence and was available for versions II and III. The 212 has been available through versions II, III and IV. The 212 has ...
They were made in three sizes, 1×8" (one 8-inch speaker), 1×10", and 1×15". They are all very rare today and few have survived. The first amplifiers made in-house by the Fender Electric Instrument Company were a significant step up in size and function to the small, nameless amps that preceded them, however, they didn't have technological ...
Throughout its production, the amplifier has most often featured a Jensen C-12Q series 12-inch loudspeaker, although Oxford 12K5, Marlboro SE, Utah and Eminence speakers have also been used. The 22-watt output was obtained by operating the 6V6 power tubes well in excess of their maximum specified operating voltage.
The current look is the TV-front with two-tone tolex and speaker grille cloth of imitation suede. After Fender took on marketing, production and distribution for Gretsch, the same electronics were available with a different look and feel – based on "tweed" Fender amps, despite the branding – as the Gretsch G5222 Electromatic. Production of ...
1955 Twin-Amp, model 5E8. Dual rectifiers and 6L6 power tubes, twin 12" speakers. After the preceding looks of the early 1950s (TV front from 1950 to 51/2; wide panel '52–54), Leo Fender changed the cabinet design again, this time opting for no extra wood on the front of the amp, except for the narrow top and bottom panels that hold the baffle board to the cabinet.
Both were hand-wired, but the newer version was designed by Paul Rivera, who Fender hired to redesign a number of amp models during the decade. The new Concert put out 60 watts into a single 12" speaker, and featured both clean and overdrive channels, a standard channel switch pedal, and traditional tank reverb.