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The conflation of Mary Magdalene with the adulteress saved from stoning by Jesus has some precedent in Catholic tradition, and according to the director was done for dramatic reasons. The names of some characters in the film are traditional and extra-Scriptural, such as the thieves crucified alongside the Christ, Dismas and Gesmas (also Gestas ).
Mary Magdalene [a] (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to his crucifixion and resurrection. [1]
Mary is a 2024 epic biblical film directed by D. J. Caruso from a screenplay by Timothy Michael Hayes. It follows Mary, mother of Jesus , played by Noa Cohen , from her childhood in Nazareth to the birth of Jesus .
Mary Magdalene is a 2018 biblical drama film about the woman of the same name, written by Helen Edmundson and Philippa Goslett and directed by Garth Davis. It stars Rooney Mara, Joaquin Phoenix, Chiwetel Ejiofor, and Tahar Rahim. The film had its world premiere at the National Gallery in London on February 26, 2018.
Ivanov's painting "Christ's Appearance to Mary Magdalene after the Resurrection" (lithograph, 1862) The painting, entitled Christ's Appearance to Mary Magdalene, was completed in December 1835 and exhibited in the artist's studio. One of the visitors was the writer Alexei Timofeev, who offered the following commentary on the painting: "‘The ...
Mary Magdalene's alleged skull, displayed at the basilica of Saint-Maximin-la-Sainte-Baume, in Southern France. Mary Magdalene's bone, displayed at La Madeleine, Paris. The relics of Mary Magdalene are a set of human remains that purportedly belonged to the Christian saint Mary Magdalene, one of the female followers of Jesus Christ.
Pages in category "Deaths by stoning" The following 35 pages are in this category, out of 35 total. This list may not reflect recent changes. ...
Mary Magdalene is a 1910 tragic play by Belgian playwright Maurice Maeterlinck. It inspired a symphonic work by Kosaku Yamada. The play had its premiere in an English translation performed at New York City's New Theatre on December 5, 1910. That was also the first United States performance of any Maeterlinck play. [1] [2] [3]