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1894 - Portrait of a Woman (oil on canvas, 181 cm × 96.5 cm) A realistic full-length portrait of a woman in a black dress, painted in 1893 or 1894. [4] At least one source says it is a portrait of Marie Breunig. [5] At least one source uses the title Portrait of a Lady in Black. [6] 04: 1895 – Love (oil on canvas, 60 cm × 44 cm)
Lady with a Fan (German: Dame mit Fächer) was the final portrait created by the Austrian painter Gustav Klimt. [1] Painted in 1917, the uncommissioned piece depicting an unidentified woman was on an easel in his studio when he died in 1918. [2] Like many of Klimt's late works, it incorporates strong Asian influences including many Chinese ...
Download as PDF; Printable version; In other projects ... Pages in category "Paintings by Gustav Klimt" ... The Three Ages of Woman (Klimt) The Tree of Life, Stoclet ...
Women Friends (1916-1917) is a painting by Austrian symbolist painter Gustav Klimt. Alternatively known as The Friends , or Girlfriends II ( Freundinnen II ), among others, the work was destroyed by fire in 1945 alongside several other of Klimt's paintings in the burning of Schloss Immendorf .
[2] [1] The Financial Times has described the Klimt painting as the culmination of his development as a portraitist, portraying "a new, post-war woman, self-aware, intelligent, modern, staring boldly out at us, sporting a fashionable short hair-cut and black feather boa". [3] The painting was acquired by the Österreichische Galerie Belvedere ...
Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer , a Viennese and Jewish banker and sugar producer.
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art.
A later painting of his entitled Goldfish (to my critics) (1901–1902), [11] which showed a smiling, beautiful woman projecting her bottom at the viewer, was a response to all those who attacked the 'pornography' and 'perverted excess' of the University paintings. Animated by resentment, Klimt wanted to title the painting "To my critics", but ...