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The House of Love's second album (also untitled, but generally known as either House of Love, the Butterfly album, or simply Fontana) was released in January 1990; [7] it reached the top ten in the UK Albums Chart and peaked at N°148 in the Billboard Top 200, staying in the US chart for 8 weeks. [10] It sold worldwide over 400,000 copies. [5] "
"Shine On" is a song by the House of Love, written by Guy Chadwick. It was originally released as their debut single in 1987, when the band was on Creation Records, but failed to reach the UK top 100. [4] The band's subsequent singles peaked outside of the top 40 until, in early 1990, "Shine On" was re-recorded, produced by Tim Palmer and re ...
The album was recorded following the departure of founder member Andrea Heukamp, who had played on the band's early singles. [6] Her only appearance on the album was playing guitar and singing backing vocals on the song "Christine" (the first song which group leader Guy Chadwick had written for The House of Love and had inspired the blueprint for the band's original lineup and style).
Following the departure of Bickers, the House of Love eventually split in 1993, and Chadwick re-appeared as a solo artist in 1997, and then released the album Lazy Soft and Slow in 1998. [6] The House of Love reunited in 2003. They went on to tour throughout the UK. Ireland and Sweden, and released an album, Days Run Away, in 2005. The band's ...
Babe Rainbow is the only House of Love studio album to feature Simon Walker (ex-Dave Howard Singers as well as being Chris Groothuizen and Pete Evans’ bandmate in My White Bedroom). Walker had replaced Terry Bickers as lead guitarist in December 1989 and would himself leave the band in mid-1992 (to be replaced by Simon Mawby of The Woodentops ).
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It should only contain pages that are The House of Love songs or lists of The House of Love songs, as well as subcategories containing those things (themselves set categories). Topics about The House of Love songs in general should be placed in relevant topic categories .
In a review of The House of Love, Robin Denselow of The Guardian felt the song "surely deserved to be a hit" and noted it "mixes some controlled wailing guitar work into an efficient, straightforward, tuneful pop song". [9] Brent Ainsworth of the Santa Cruz Sentinel praised the song as "one of the most captivating modern rock songs of 1990". He ...