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Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas , during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka , as well as the Spanish-based coros de clave .
The novel cha-cha-chá style was born from melodies that were very easy to dance. [2]: 130–132 Since its inception, cha-cha-chá music has had a close relationship with the dancer's steps. The name cha-cha-chá came into being with the help of the dancers at the Silver Star Club in Havana. When the dance was coupled to the rhythm of the music ...
In music of Afro-Cuban origin, tumbao is the basic rhythm played on the bass. In North America, the basic conga drum pattern used in popular music is also called tumbao [ citation needed ] . In the contemporary form of Cuban popular dance music known as timba , piano guajeos are known as tumbaos .
Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell (ekón) part in abakuá music. The form of rumba known as columbia is culturally and musically connected with abakuá which is an Afro Cuban cabildo that descends from the Kalabari of Cameroon ...
Just as guajeo patterns entered jazz, jazz harmonies were in turn, adopted into the piano guajeos of dance music. The exchange between Cuban popular music styles and jazz became a two-way street. From jazz came a harmonic vocabulary based on extended harmonies of altered and unaltered ninths, elevenths and thirteenths, as well as quartal ...
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s.
The ensembles, and ultimately the music itself, also adopted the term tahona. [2] As a genre, tahona is considered a style of Cuban rumba , and together with yambú it is one of the oldest. [ 3 ] However, it differs from the canonical rumba styles in the fact that it developed in the eastern part of Cuba, the Oriente Province , due to the ...
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]