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A cantata (/ k æ n ˈ t ɑː t ə /; Italian: [kanˈtaːta]; literally "sung", past participle feminine singular of the Italian verb cantare, "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
Italian term Literal translation Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo ...
Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by Fr. and Ger., respectively.
Dado (in Italian meaning 'dice') Fresco (Italian: affresco from the expression a fresco) Gesso; Graffiti (Italian: graffito, pl. graffiti) Grotto (in Italian grotta, meaning 'cave') Impasto; Intaglio; Loggia (from French loge) Madonna (in Medieval Italian meant Lady, in Modern Italian indicates Mary the Virgin) Magenta (after the Italian town)
The Italian word libretto (pronounced, plural libretti) is the diminutive of the word libro ("book"). Sometimes other-language equivalents are used for libretti in that language, livret for French works, Textbuch for German and libreto for Spanish.
Cantabile [kanˈtaːbile] is a term in music meaning to perform in a singing style. The word is taken from the Italian language and literally means "singable" or "songlike". [1] In instrumental music, it is a particular style of playing designed to imitate the human voice. The German-language equivalent to cantabile is gesangvoll. [2]
A secular wedding cantata, BWV 202, an Italian cantata , and the secular model for the Störmthal cantata BWV 194 probably originated around the same period. [9] [13] From 1723 until his death in 1750 Bach was employed as Thomaskantor in Leipzig: the bulk of his around 20 extant secular cantatas originated in this period. [14]
In Western classical music, obbligato (Italian pronunciation: [obbliˈɡaːto], also spelled obligato [1]) usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ad libitum. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or ...