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Trochaic tetrameter in Macbeth. In poetic metre, a trochee (/ ˈ t r oʊ k iː /) is a metrical foot consisting of a stressed syllable followed by an unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short ...
In an trochaic-or-iambic pair, each word can be either a trochee (stressed on the first syllable) or an iamb (stressed on the second syllable). contract, entr'acte; discount, miscount; hereby, nearby; sunlit, unlit; thereby, whereby; therein, wherein; thereof, whereof; therewith, wherewith
The most common feet in English are the iamb, trochee, dactyl, and anapaest. [1] The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term pes, plural pedes, which in turn is a translation of the Ancient Greek πούς, pl. πόδες.
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[1] [2] [3] In modern English poetry, a trochee is a foot consisting of a stressed syllable followed by an unstressed syllable. Thus a tetrameter contains four trochees or eight syllables. Thus a tetrameter contains four trochees or eight syllables.
The name tribrachys is first recorded in the Roman writer Quintilian (1st century AD). According to Quintilian, an alternative name for a tribrach was a "trochee": "Three short syllables make a trochaeus, but those who give the name trochaeus to the choraeus prefer to call it a tribrachys.") [3] Quintilian himself referred to it as a trochaeus.
In a line of verse that normally employs iambic meter, trochaic substitution describes the replacement of an iamb by a trochee. The following line from John Keats's To Autumn is straightforward iambic pentameter: [2] To swell the gourd, and plump the hazel shells
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