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Specialised triggers are produced for specific instruments. A snare drum trigger, for example, will often have two channels, one each for the rim and head, while a tom-tom drum trigger usually needs to only register strokes to the drum head. Drum triggers gained great attention in the beginning of the 1990s, being extensively used on bass drums ...
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[[Category:Chart, diagram and graph formatting and function templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Chart, diagram and graph formatting and function templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
The triggers detect hits/ vibrations on the batter head and/or hoop rim and generate an electric signal. The signal is then sent to an electronic module/sampler or via cables and an Audio Interface to MIDI-DAW/drum software on a PC/laptop/Mac–to trigger the selected sounds.
Cross Stick: X notehead in the snare drum part. Rim Shot: diagonal slash through note head. Brush sweep: horizontal-line notehead, with a slur mark added to show that the brush is not lifted. (Together, the horizontal-line notehead and its stem look rather like a long "T" or a long inverted "T", depending which way the stem is going.)
Traditional grip (detail). Note the signature 'underhand' grip of the style Traditional grip. This is a good example of the ancient style that Moeller describes. Note the angle of the snare drum, which makes the traditional grip of the left hand necessary, since matched grip would be difficult to use.
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