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Brockman, Helen, The Theory of Fashion Design, New York: John Wiley and Sons, 1965 ISBN 0-471-10586-4; Bryant, Nancy O. "The interrelationship between decorative and structural design in Madeleine Vionnet's Work", Costume 1991, V 25, pp. 73–88; Hawes, Elizabeth: Fashion is Spinach, New York: Random House, 1938
Corporate publications typically follow either the AP style guide or the equally respected Chicago Manual of Style, often with entries that are additions or exceptions to the chosen style guide. A classic grammar style guide is The Elements of Style. Together, these two books are referenced more than any other general style book for US third ...
Western dress codes are a set of dress codes detailing what clothes are worn for what occasion that originated in Western Europe and the United States in the 19th century. . Conversely, since most cultures have intuitively applied some level equivalent to the more formal Western dress code traditions, these dress codes are simply a versatile framework, open to amalgamation of international and ...
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque / Rococo style.
A version of this style is sometimes promoted and marketed as "American Trad" or simply "Trad," although there are differences between the two styles: Trad is narrower in scope than the intermediate preppy style. [9] By the 2010s, many American preps opted to dress in a more classic, tailored style closer to the original Ivy League look. [10]
A daring new fashion arose for having one's portrait painted in undress, wearing a loosely fastened gown called a nightgown over a voluminous chemise, with tousled curls. The style is epitomized by the portraits of Peter Lely, which derive from the romanticized style originated by Anthony van Dyck in the 1630s. The clothing in these portraits ...