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The Binson Echorec is a delay effects unit produced by Italian company Binson. [1] Unlike most other electromechanical delays, the Echorec uses an analog magnetic drum recorder instead of a tape loop. After using Meazzi Echomatic machines, Hank Marvin of the Shadows began using Binson echoes. He used various Binson units on record and stage for ...
The Echoplex is a tape delay effects unit, first made in 1959. Designed by engineer Mike Battle, [ 1 ] the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured."
The Copicat, which preceded other major European echo units like the Binson Echorec, Meazzi Echomatic, and Vox Echo Deluxe, would become one of the company's most successful products, with Watkins releasing various different Copicat models over more than 50 years.
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio.
The Roland Space Echo is a line of tape delay units introduced by Roland Corporation in 1974.. Whereas prior tape delay effects used tape reels, the Space Echo uses a free-running tape transport system.
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Effects units are available in a variety of form factors.Stompboxes are used in both live performance and studio recording. Rackmount devices saw a heavy usage during the later 20th century, due to their superior processing power and desirable tones as compared to pedal-style units.