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Stickley began making American Craftsman furniture in 1900, though he did not change the name of his firm to the Craftsman Workshops until 1903. It was sometimes popularly referred to as Mission Style Furniture, a term which Stickley despised. The company ceased making furniture in 1916. [1]
Furniture created in the Art Nouveau style was prominent from the beginning of the 1890s to the beginning of the First World War in 1914. It characteristically used forms based on nature, such as vines, flowers and water lilies, and featured curving and undulating lines, sometimes known as the whiplash line, both in the form and the decoration.
The American Craftsman style was a 20th century American offshoot of the British Arts and Crafts movement, [1] which began as early as the 1860s. [2]A successor of other 19th century movements, such as the Gothic Revival and the Aesthetic Movement, [2] the British Arts and Crafts movement was a reaction against the deteriorating quality of goods during the Industrial Revolution, and the ...
The Butterfly chair was designed in Buenos Aires, Argentina, in 1938 [2] [3] by the architects Antonio Bonet, Juan Kurchan and Jorge Ferrari Hardoy [], [4] [5] [6] who were working with Le Corbusier's studio, and who formed the architectural collective Grupo Austral [] in Buenos Aires. [7]
The Craftsman was founded by Stickley in October 1901. A key figure in the early years was art historian and Syracuse University professor Irene Sargent. [1] [2] She wrote most of the magazine's first three issues herself —including the inaugural issue's cover story on William Morris — and thereafter usually wrote each issue's lead article while acting as managing editor and layout designer.
Art Nouveau line art. Line art emphasizes form and drawings, of several (few) constant widths (as in technical illustrations), or of freely varying widths (as in brush work or engraving). Line art may tend towards realism (as in much of Gustave Doré's work), or it may be a caricature, cartoon, ideograph, or glyph.
Often considered to be one of the finest furniture pieces of the 19th century and an icon of Victorian furniture. There was not one dominant style of furniture in the Victorian period. Designers rather used and modified many styles taken from various time periods in history like Gothic , Tudor , Elizabethan , English Rococo , Neoclassical and ...
There was the chair bodger, an itinerant craftsman who worked in the woods and made the legs and stretchers, on a pole lathe. [7] Then there was the benchman who worked in a small town or village workshop and would produce the seats, backsplats and other sawn parts. [8] The final craftsman involved was the framer. The framer would take the ...