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Act III, Scene 1. The search for Cinderella. No 39 The Prince and the Cobblers No 40 First Galop of the Prince No 41 Temptation No 42 Second Galop of the Prince No 43 Orientalia No 44 Third Galop of the Prince Act III, Scene 2. The Prince with Cinderella. No 45 Cinderella's Awakening No 46 The Morning After the Ball No 47 The Prince's Visit
Suite from Cinderella No. 1: 1946 108 Suite from Cinderella No. 2: 1946 109 Suite from Cinderella No. 3: 1946 110 Waltz Suite, six waltzes for orchestra 1946 111 Symphony No. 6 in E ♭ minor 1945–47 112 Symphony No. 4 in C major (revised version) 1947 113 Thirty Years, festive poem for orchestra 1947 114 Flourish, Mighty Land, cantata 1947 115
The first five were short ballets, written when he was in the West. The last three (Romeo and Juliet, Cinderella, and The Tale of the Stone Flower), were written when he returned to live in Russia, with each of them lasting for about 2 hours.
Created Date: 8/30/2012 4:52:52 PM
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Sergei Prokofiev composed and compiled his Waltz Suite, Op. 110, during the Soviet Union's post-Great Patriotic War period of 1946–1947.. In creating this work for the concert hall, the composer drew upon waltzes previously written for three of his most recent works for the stage and screen: the opera War and Peace (completed circa 1943–1944 but not yet premiered at that time); the ballet ...
Gravestone of Asafiev at the Novodevichy Cemetery. Boris Vladimirovich Asafyev [a] (29 July [O.S. 17 July] 1884 – 27 January 1949; also known by pseudonym Igor Glebov) [b] was a Russian and Soviet composer, writer, musicologist, musical critic and one of founders of Soviet musicology.
The second movement is an autumnal waltz, reminiscent of Prokofiev's ballet Cinderella, while the third movement is an expressive and singing slow movement. The finale, in D-flat major (C-sharp major enharmonic), contains an innocent cheerfulness.