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According to Gregory, this effect was observed by a member of his laboratory, Steve Simpson, in the tiles of the wall of a café at the bottom of St Michael's Hill, Bristol. In the construction of the illusion often each "brick" is surrounded by a layer of "mortar" intermediate between the dark and light colours of the "bricks". [7]
The foundation of the building is a cement parged brick stem wall and the decorative brick chimneys are part of a coal burning fuel system. The interior of the house reflects the Eastlake style in the mantel spindles, the ornate tile work surrounding the two fireplaces, 12-foot second story coved ceilings and other details.
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
At The Deanery in Berkshire, 1899, (right), where the client was the editor of the influential magazine Country Life, [17] details like the openwork brick balustrade, the many-paned oriel window and facetted staircase tower, the shadowed windows under the eaves, or the prominent clustered chimneys were conventional Tudor Revival borrowings ...
Image credits: historycoolkids The History Cool Kids Instagram account has amassed an impressive 1.5 million followers since its creation in 2016. But the page’s success will come as no surprise ...
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France, the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure.