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The composition of dancing figures is commonly recognized as "a key point of (Matisse's) career and in the development of modern painting". [1] A preliminary version of the work, sketched by Matisse in 1909 as a study for the work, resides at MoMA in New York, where it has been labeled Dance (I).
Dance at Bougival is one of three paintings produced for the art dealer Paul Durand-Ruel. The three paintings are very similar to each other, each depicting a couple dancing in a different environment. [12] The other pieces, Dance in the City and Dance in the Country, have similar pastel coloring and a whimsical aura. The paintings were all ...
The painting shows three dancers, the one on the right being barely visible. A macabre dance takes place, with the dancer on the left having her head bent at a near-impossible angle. The dancer on the right is usually interpreted as being Ramon Pichot, a friend of Picasso who died during the painting of Three Dancers.
Behind her, amongst the dancers, are to be found Henri Gervex, Eugène Pierre Lestringuez and Paul Lhote (who appears in Dance in the Country). In the middle distance, at the centre of the dance hall, the Cuban painter Don Pedro Vidal de Solares y Cardenas is depicted in striped trousers, dancing with the model called Margot (Marguerite Legrand ...
Dance at Bougival; The Dance Class (Degas, Metropolitan Museum of Art) The Dance II; Dance in the City; Dance in the Country; The Dance Lesson; The Dance of Life (Munch) Dance of Salome (paintings) The Dance of the Villagers; A Dance to the Music of Time (painting) Dancer in a Café; Dancers (Borofsky) Dancers Onstage; The Dancing Class; The ...
Sargent's painting Capri (1878) depicts Rosina Ferrara dancing the tarantella, and anticipates the flamenco of El Jaleo. [6] Crystal Bridges Museum of American Art. Almost 12 feet (3.7 m) wide, El Jaleo is broadly painted in a nearly monochromatic palette, but for spots of red at the right and an orange at left, which is reminiscent of the lemons Édouard Manet inserted into several of his ...